Still from Sojung Jun’s (전소정) film Last Pleasure (마지막 기쁨) at Doosan Gallery starting Sept. 4
An important tribute to an inspiring, generous, and vivacious person. I interviewed Crystal a few years ago to help spread the word about China Residencies. Now an incredibly successful program, China Residencies is one small part of the vast legacy Crystal left this world.
Ted Lawson creates drawings of his body with his own blood as medium via an IV (via DesignBoom). His artwork includes many different bodies made of various media such as blood, resin, steel, and found objects. Aspects of Lawson’s work are reminiscent of Choi Xooang’s work.
SAIC’s Conversations at the Edge schedule for fall 2014 was just released. Cao Fei will give a talk on October 23. Among many things, Fei is especially well known for the world she created on Second Life. Here’s a tour of it via Art Forum. I’d love to get to Chicago to hear that talk!
An important diagram for people from the United States to keep in mind. We have so much further to go.
“Why I’m Leaving Gagosian” via Art Market Monitor. In regard to the gallery’s impact on the global art market, the author of the article, Kenny Schachter, says, “To put the problem in the simplest terms, the interests of the collectors continue to be sidelined in the way the firm operates and thinks about making money. Gagosian is one of the world’s largest and most important galleries and it is too integral to the global art market to continue to act this way.”
A Journal of the Plague Year. Continental Fear. Islands, ghosts, rebels opened at Arko Art Center in Seoul yesterday. I saw this exhibition last year in Hong Kong at Para Site and highly recommend it. The exhibition features a plethora of artists, some are internationally known like Ai Weiwei. The exhibition, “… departs from and remains strongly connected to an exploration of the events that affected Hong Kong in the spring of 2003: the most significant airborne epidemic in recent years, the SARS crisis, coupled with the tragic death of pop figure and pan-Asian icon Leslie Cheung” (e-flux).
Byeong Sam Jeon’s Dialogueye II (2013)
Byeong Sam Jeon (전병삼) is giving an artist talk at SAIC this afternoon. Based on a visit to his website, I was intrigued by Wind From West (2014) and Dialogueye II (2013).
“Don’t be that dude: Handy tips for the male academic” by Tenure, She Wrote.
Should this be NSFW? Calling on Jenny Saville, Egon Schiele, and Lucian Freud!
10 female artists from Nepal via Art Radar.
Sung Hwan Kim (김성혼) at Art Sonje Center (아트선제센터) from 30 August to 30 November via e-flux. According to e-flux, “The title of the exhibition, Life of Always a Mirror, is a play on words in Korean on a Korean elementary school textbook’s title, Joyful Life. This method of education merges music, art, and physical education into a single subject as a didactic gesture in public education that teaches the youth not only knowledge but also the way they should lead a joyful life.”
Along with a salute to my former city, I should share that I plan to attend an event with Jung Rae Bae at the Asian Art Museum here in San Francisco.
Ariana Russell’s Sail via DesignBoom
DesignBoom says, “American artist Ariana Russell responds to the unique components of her skin to draw painless, temporary, and ephemeral designs on her body, the designs visible just long enough to photograph the results. Russell has a skin condition called dermatographia…” Read more of the DesignBoom article here.
The image above is an oddly appropriate transitional image from today to tomorrow. Today is the last day of my vacation, I move from bright blue lakes and warm wind back to the chilly bustle of Chicago. I’m cleaning out my email at Lansing, Michigan based Biggby Coffee with lukewarm decaf. Our vacation was wonderful but I’m looking forward to getting back to SAIC and some writing projects. Ta-ta, summer! Enjoy the links below!
Edward Hopper in 3-D via DesignBoom.
A human harp via DesignBoom. This reminds me a bit of Miru Kim’s Naked City Spleen.
A stunning reaction to devastation via DesignBoom.
Gwangju Design Biennale opens on September 6. Read a quick intro via e-flux.
What’s coming up at Doosan Gallery in New York and Seoul.
Next time I’m in Seoul I really need to visit this space.
I’m now writing for Sixty Inches From Center, an online archive of the arts in Chicago. My first post was published a few weeks ago–click here to read it!
Anish Kapoor, Shooting into the corner, 2008-2009
This work was brought to my attention by e-flux, read about it here, it is now on display as part of a a retrospective of Kapoor’s work at Pinchuk Art Center.
Last Sunday marked the day of my graduation from the School of the Art Institute of Chicago. Yes, now you can call me Master. The graduating students of SAIC have the privilege of walking across the stage of the Jay Pritzker Pavilion in Millenium Park to receive their diplomas. A smidgen to the west rests the infamous Chicago “Bean.” The “Bean’s” title is Cloud Gate and it was created by Anish Kapoor. This morning as I was wading through the emails I’ve neglected the past few weeks I came across another work by Kapoor and I thought the many visitors we had last weekend would find it interesting to see another work created by the “Bean” artist.
Disco in downtown Chicago!
Ex-North Korean artwork shown in the U.S.
Speaking of North Korea, please check out this project! Young Sun Han is an SAIC grad and currently lives in Chicago. Some of his family is from North Korea and a portion of the proceeds from his sales go to Life Fund for North Korean Refugees. (Yes, Zane Davis, I am highly recommending you watch the short video.)
On the Wallstreet Journal Blog, Singapore Considers “No-Censorship Zones”
Art Radar’s 16 most searched Asian artists from July-December 2011. It looks like Ai Weiwei was number one but they also reported a surge in searches for Korean artists (I hope thats not just me doing thesis research!). Lee Yong-baek is number 8 on the list, I am in the midst of writing a chapter on him.
I’m giving a lecture about the Body Project this Friday! If you’re in Chicago and will be downtown at 12:15 please come by!
Above is an art homage to the Superbowl at the Indianapolis Museum of Art by Robert Indiana. Enjoy your chili!
I have a VCS Noontime Lecture this Friday in MC 112 South Michigan, Room 501. I’ll be discussing Body Project and I’d love to see you there!
Art Radar‘s third installment of What is ahead for contemporary Asian art, 2012 and beyond? Part III.
The earliest copy of Mona Lisa found at the Prado.
More on the 9th Gwangju Biennale. If I were in Korea I would try to get to one of these workshops.
First Family art stroll.
Paul Gauguin right before he died said, “I have wished to establish the right to dare anything…The public owes me nothing, since my achievement in painting is only relatively good, but the painters–who today profit by this liberty–they owe me something.” Modern Art by Sam Hunter, John Jacobus, and Daniel Wheeler page 44.
Robert Mapplethorpe’s Derrick Cross, 1983
Betsy, I though you would enjoy this artist’s work!
Liumang Yan is speaking up for sex workers in China, she is also one of the women in One Tiger Eight Breasts with Ai Weiwei.
More on affordable art!
This article is about scandalous muses. I would have added Robert Mapplethorpe’s models to the list. If you are interested in Mapplethorpe and his muses you should read two chapters by Kobena Mercer on Mapplethorpe’s work. To summarize briefly, in the first chapter Mercer is quite angry about the objectification of the models in the photographs. A few years later he wrote a second article revisiting his initial reaction and accepting the work.
“What is ahead for contemporary Asian art, 2012, and beyond?” Part II.
Yesterday I went to a great pannel at SAIC called “Getting on the Map.” Sharon Louden moderated a conversation with Carron Little, Mark Jeffery, Judd Morrissey, and David Parker.
There is a horse hanging from the ceiling at the Guggenheim in New York!